If the F1-8 is anything to go by, size really does matter. If you’re short of space, look elsewhere as this is a beast that won’t melt into the background. But as a speaker that merges the strengths of the best standmounts and floorstanders, it is dynamic, dextrous and deeply satisfying with all types of music.
The RAM Studio 20 clearly favours amps with plenty of grip, especially in the bass. It might not offer forensic levels of detail with which to dissect a recording, but as a wide-bandwidth, high-performance standmount that sounds easy, natural and is dripping with musical finesse, it takes some beating.
More than just a range refresh, this baby box has had new life breathed into it in a rather skilful and expert way. So much more than the sum of its parts, the 607 S2 Anniversary Edition is highly engaging across all types of music, has a super classy treble and is the best B&W entry-level standmount yet.
A worthy entry point into the Sonus faber family and a genuine star in its own right, the Lumina I manages to sound bigger, more self-assured and room filling than you’d expect from looking at it. It does all this while still delivering on the virtues expected from the company and looking and feeling very pleasant at the same time.
With unexpectedly large amounts of midband detail, a bouncy bottom end and enjoyable musicality, the Concept 300 conjures up a charming sound that puts the accent on civility and smoothness, but never at the expense of musical enjoyment – making it excellent value for money at the price.
The Spendor Classic may not be as modern looking as some rivals at the price, but don’t be fooled: that traditional design hides a superbly talented standmount able to produce a sensational blend of accuracy, scale, refinement and sheer unadulterated fun, and it’s not too fussy about placement.
